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design

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35

Even in his uni days, Barry was a hustler, taking

on private jobs, so it’s no surprise that a few

years after graduation he was working for

himself and involved in small subdivisions,

buying and renovating houses, and building

townhouses.

In the late ‘90s he moved into a city office and

began designing larger scale projects, hitting

the big time with the landmark Miami

Apartments in West Perth.The Art Deco style was

unlike anything seen before in the Western

Australian capitol. In 2002 he won the Property

Council of Australia’s Future Directions Young

Achiever Award.

In that same year, with his reputation growing

and opportunities opening, Barry made a

decision that few of us would be brave enough

to take. He shut down his city office to allow him

to focus on looking after his two young children

while working from home to finish off work in

progress.

“I did that until about 2008, when I came back

in and set my office up in the city, a small office

at that point, and then started to slowly get back

into what I had started six years prior.”

In that same year, his Art Deco-inspired Kingdom

Apartments building was completed in South

Perth. Soon after, Baltinas was drawn into

controversy with his design proposal for a

20-storey apartment building adjoining the

venerable Weld Club in Barrack Street. City of

Perth’s planning committee approved the

design although one councillor said “it’s pretty

much like putting Lady Ga Ga (sic) next to the

Queen”, and then adding that “it might be a

very entertaining combination” and a point

of difference!

The committee chairperson said it showed

“no respect” for its heritage neighbour, an

accusation that still rankles Barry who rejects

the assertion, and claims that architecture

must be relevant to today’s society and

context. However, ultimately the project did not

proceed.

His current business operations are divided into

two streams: Baltinas Architecture and Baltinas

Made under the collective banner of Baltinas

Team.“We enjoy what we do as a studio, we

love our architectural work, we’re very

passionate about it,” Barry says, adding that it is

important to work with like-minded clients who

appreciate architecture.“But I have found that

by doing our own projects” – under the Baltinas

Made banner – “we get more freedom to do

what we want. Obviously there is more

responsibility because it has to be financially

viable or that dream will be deflated very

quickly.”

The latest Baltinas project is approaching

completion in Mount Street,West Perth,

adjacent to Kings Park. Halo on Mount has 21

apartments and two penthouses over its nine

levels.The facade design is dotted by a series

of circular windows, contrasting with the

linearity of expressed Wintergarden Balconies

with openable, sashless glazing that will allow

use of these spaces across the seasons.

Austral Precast were contracted to

manufacture the concrete wall panels at their

plant in the south-eastern Perth suburb of

Maddington. Production of the 597 panels took

place over a twelve month period.

“Austral Precast has done a great job because

we have some challenges there with curves,

circular openings and the finishing,” Barry

commends.The round openings had to be

particularly precise to accommodate the

imported prefabricated windows.

The building’s upper level is clad in curved

precast panels.“It would have been cheaper

to build the curved sections out of lightweight

but we wouldn’t accept that option because

of the need to maintain structural and

aesthetic integrity, not just for first two or three

years but over the long term.”

The curved panels were cast in specially-made

steel forms using surprisingly conventional

techniques.The steel reinforcement is wired into

place and the form flooded with a slightly

denser than usual concrete mix.The

manufacturing team then works quickly to

ensure the concrete is evenly dispersed and

vibrated to expel any entrapped air pockets.

Architect/developer

Barry Baltinas has been a

keen amateur car racer

since the early 1990s.

Photo by Anton Baltinas